Digitise photos printed on textured or glossy paper without glare
How to angle your light or camera to avoid glare and reflections when digitising textured or glossy prints.
Make digital copies of prints without rushing, losing their stories or damaging the originals.
How to angle your light or camera to avoid glare and reflections when digitising textured or glossy prints.
How to properly check a digitised scan at full size before letting go of the physical original, so problems get caught while you can still reshoot.
Why you shouldn't try to peel a stuck photo free, and how to photograph it safely in place instead.
When a professional scanning service is worth the cost over a quick phone scan, and when it isn't.
How to digitise Polaroid-style instant prints and disposable-camera photos, which often have no negative backup.
Why a huge digitising project can stall, and how to pick a batch size you can actually finish in one sitting.
How to safely photograph a fragile, curled or damaged photo without forcing it flat or risking further harm.
Why it's worth keeping negatives even after digitising the prints, and how to store them properly if you do.
A practical way to digitise slides using backlighting and your phone camera, without buying a dedicated slide scanner.
300 dpi is the standard baseline for good print quality; here's when to scan higher, and how to check your settings.
How to photograph or scan photos still stuck in an album, page by page, without risking damage by prising them off.
Put one sound group into suitable housing and keep it connected to its digital copies.
Get a clear written scope covering care, sample files, privacy, price and return of your originals.
Check the film format, condition and equipment before choosing a scanner, camera setup or service.
Understand resolution, colour and source-file choices before making a small scanner trial.
Follow the four-dot capture and judge the saved result before scanning a whole group.
Use the ordinary Camera app and a simple lighting setup to make a checked copy of one stable print.
Keep one small group in order and plan how its fronts, backs and notes will stay connected.
Choose a copying method that suits the print’s condition and your intended result.
Use a simple companion note to connect family names, uncertain dates and memories to five photographs.
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